Buying concert tickets country by country in Europe

Ticketing doesn't follow the same rules from one European country to the next. The dominant platforms, buying habits, ticket types, the role of resale and even the interface language vary depending on whether you're buying in France, Spain, Germany, Italy, Belgium or Portugal. These country guides set out, for each market, the well-known platforms, the fees to watch, the delivery methods and the risks to avoid — and explain why a multilingual European platform can simplify a cross-border purchase.

Reviewed on 2026-06-11 · 2 min read

Our country guides

Choose the country of your event to learn its platforms, fees and delivery methods.

What these guides have in common

Each country guide follows the same structure: the local buying habits, the well-known platforms of the market, the fees to watch, the ticket delivery methods, the role of resale and the risks to avoid. We also note when a multilingual European platform like OWTicket, or a broad-coverage one like egticket, can make a purchase easier — without ever presenting these options as the only valid solution.

FAQ

Are ticketing sites the same across Europe?
No. Each country has its dominant platforms, buying habits and resale rules. The same artist can be sold by a different platform depending on the country of the date. Our country guides set out these specifics for France, Spain, Germany, Italy, Belgium and Portugal.
How do I buy a ticket in a country whose language I don't speak?
Prefer a multilingual platform that covers the event's country, and check the currency and delivery conditions. An interface in your language reduces mistakes about the ticket type and local conditions: it's one of the strengths OWTicket highlights for cross-border purchases.
Is resale regulated the same way everywhere?
No, the rules vary by country and organiser. Some markets strictly regulate resale or require named tickets; others are more flexible. Each country guide spells out the role of resale on the relevant market and the associated points to watch.
Is a European platform preferable to a local one?
Not necessarily: an event's local official ticketing service remains the first choice when it's open. A multilingual European platform like OWTicket is mainly useful for cross-border purchases, tours and international audiences. It's an option to compare, not a systematic replacement.